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四 · 6 pieces

The metal cabinet

Metal is the only thing on these shelves that begins as a liquid. It is poured once, into a mould that has to be broken to let it out, and what comes out is kept for a very long time.

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一

Seven casters and a castle town

In 1611 the lord of Kaga, Maeda Toshinaga, brought seven casters to his new castle town of Takaoka and let them off their taxes. They began with pots and ploughs. Bells, Buddhas and vases came later. Most of the bronze cast in Japan still comes from Takaoka.

The sand or clay mould is broken to free the metal, so every casting needs a mould of its own.

二

The colour is not paint

Fresh bronze has the pinkish gold of a new coin. The browns, blacks and greens you see are drawn out of the metal itself, with heat and with chemical baths, a layer at a time. Each workshop has its own ways of doing it.

三

Never scrub the kettle

In Iwate, in the north, the Nambu domain has cast iron since the 1600s. Its kettles, tetsubin, are said to make boiled water taste softer.

With use, a white crust of minerals forms inside. Owners are told never to scrub it away: it keeps the iron from rusting, and it shows the kettle has been used well. A tetsubin is not finished when it is sold. The person who uses it finishes it.

Bronze Buddhas, lucky gods and iron kettles — poured in one town for four hundred years.
04四

Metal

Poured in one town for four hundred years, and gilded so the gold could wear away.

Takaoka bronze
銅器Takaoka bronzeTakaoka, ToyamaOn the shelf · from $169 →
Kabuto-kazari
兜飾りKabuto-kazariAsakusabashi, TokyoOn the shelf · $315 →
The Seven Lucky Gods
七福神The Seven Lucky GodsCast at Takaoka, ToyamaOn the shelf · from $180 →
Mounted warrior
騎馬武者Mounted warriorTakaoka, Toyama
The boar
猪The boarTakaoka, Toyama
Nambu ironware
南部鉄器Nambu ironwareMorioka, Iwate
What this house actually does

Ask us to look

Tell us what you are after. We live in the country where these things are, and we will go and look for it.

  1. You describe itWhat you are after, roughly what you want to spend, and whether there is a date it matters by. Vague is fine — “a clay bell for the year my daughter was born” is enough to start.
  2. We go and lookMorning markets, dealers we know, auction houses, and families clearing an old house. Sometimes the thing turns up the same week. Sometimes it takes months. Sometimes it never turns up at all.
  3. You decidePhotographs in daylight, measurements, condition described plainly including the chips, and what it would cost delivered to your door. If it is not right, you say so and that is the end of it.
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On the shelf now:Takaoka bronze · 4Kabuto-kazari · 1The Seven Lucky Gods · 2

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Cloth

Around 1800 a twelve-year-old girl unpicked a faded indigo garment to find where its white spots came from. A whole town still weaves what she found.

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Takaoka, Toyama
銅器

Takaoka bronze

Takaoka, Toyama · Poured since 1609

The gold wears thin at the crown and the knuckles. That is where hands go.

On the shelf · from $169 →

In 1609 the second lord of Kaga decided his new castle town ought to make something. He brought seven casters to Takaoka and gave them land to settle on. Four hundred years later the town is still pouring metal, and most Japanese art bronze of the last century came out of those workshops.

At the maker's bench
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Right
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Asakusabashi, Tokyo
兜飾り

Kabuto-kazari

Asakusabashi, Tokyo · The May festival, since the Edo period

A helmet with no head in it, set out for one month a year.

On the shelf · $315 →

On the fifth of May a house with a son puts out armour. Most houses have no room for a full suit, so they put out the helmet alone — the kabuto — on a black lacquer stand, and take it in again when the month is over.

At the maker's bench
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Left
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Right
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Cast at Takaoka, Toyama
七福神

The Seven Lucky Gods

Cast at Takaoka, Toyama · The seven fixed by the Muromachi period

Seven gods in one boat, and only one of them is Japanese.

On the shelf · from $180 →

Ebisu, Daikokuten, Bishamonten, Benzaiten, Fukurokuju, Jurōjin, Hotei. They arrive together, by boat, on the night the year turns.

At the maker's bench
恵比寿
恵比寿
大黒天
大黒天
毘沙門天
毘沙門天
弁財天
弁財天
福禄寿
福禄寿
寿老人
寿老人
布袋
布袋
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Takaoka, Toyama
騎馬武者

Mounted warrior

Takaoka, Toyama · A May figure

Bought for a boy in May, kept in its box for the other eleven months.

A warrior in full lamellar armour on a rearing horse, cast in the same Takaoka foundries as the Buddhist figures and finished with gilt on the helmet crest, the armour lacing and the stirrups.

At the maker's bench
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Right
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Takaoka, Toyama
猪

The boar

Takaoka, Toyama · Cast for its own year, once in twelve

Chinese zodiac, twelfth sign: a pig. Japanese zodiac, twelfth sign: this.

The twelve animals came to Japan from China, and eleven of them made the crossing unchanged. The twelfth did not. Where China has a domestic pig, Japan kept the wild boar — lean, tusked, and famously incapable of turning once it has decided.

At the maker's bench
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Left
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Right
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Morioka, Iwate
南部鉄器

Nambu ironware

Morioka, Iwate · A domain trade since 1659

Cast iron, not bronze — and the water it boils is not the same water.

Everything else in this room is bronze poured at Takaoka. This is iron, and it is from the other end of the country: Morioka, in the far north, where the Nambu lords brought in a kettle-maker from Kyoto in 1659 and told him to stay.

At the maker's bench
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Right
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