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The North

北海道・東北 · Hokkaidō · Tōhoku
Hokkaidō and the six Tōhoku prefectures

Long winters, and a craft tradition built on what you do indoors from November to April.

The North
Painted for this house — the region and its work, not a record of one place.
About this region

Snow decides the calendar here. From late autumn the fields close and the work moves inside, and almost every craft in this list is something a farming household could make by a fire: turned wood, papier-mâché over a mould, straw, stitched cloth.

That is also why so many of these objects are toys and charms rather than tableware. They were made in the off season, sold at the New Year markets, and bought to be given to a child.

Tōhoku kept its own language, its own kilns and its own gods for a long time — far enough from Kyoto that court taste never quite arrived. What you see instead is stronger colour, blunter carving, and a lot of red: red is the colour that turns away sickness.

The long account

The gods who come in winter

On the last night of the year, men in straw capes and red demon masks come down from the hills of Oga and go from door to door. They stamp into the house and shout: any lazy ones here? Any crying children? The children scream, the parents apologise on their behalf and offer sake, and the visitors leave. These are the namahage, and they are not demons. They are marebito — gods who come from somewhere else, once a year, to inspect a household and bless it. The mask frightens and the visit blesses, and both happen at the same time.

Further north, at Osorezan in Aomori, a caldera of yellow sulphur and bare rock has been held for a thousand years to be the mouth of the other world. Families still climb it in July to speak to their dead through the itako — blind women trained to lend the dead their voice. There is no grandeur in it. It is bleak, it smells of sulphur, and people go anyway.

In Hokkaidō the gods were different again. To the Ainu, kamuy inhabit anything useful or dangerous: the bear, the owl that guards the village, fire, the river. A bear cub raised in the settlement for two years was sent home to the gods in the iyomante ceremony, loaded with gifts, and was expected to speak well of the people who had kept it.

The north was a foreign country

For most of the first millennium the court did not rule this. The people here were called Emishi, and they fought. In 789 an imperial army of over fifty thousand was broken on the Kitakami river by a force under Aterui. It took thirteen more years and a general named Sakanoue no Tamuramaro before Aterui came down out of the mountains and surrendered. He was taken to the capital and executed there.

Then, briefly, the north was rich. The Northern Fujiwara ruled from Hiraizumi in the twelfth century on the region’s gold, and built the Konjikidō — a hall covered inside and out in gold leaf and mother-of-pearl. It is still standing. Their city was destroyed by Minamoto no Yoritomo in 1189. A century later Marco Polo, who never came near the place, wrote that Japan was a country roofed in gold. Whether that report started here is a guess people have been making ever since, and it is still only a guess.

The last time the north lost was 1868. The northern domains allied against the new imperial government and were beaten one by one. At Aizu a company of teenage boys saw smoke rising over the castle, believed it had fallen, and killed themselves on the hillside. The castle had not fallen yet. Aizu is where the red cow in this collection comes from.

Work for the months you cannot go outside

From November to April the fields are shut. That single fact made every craft in this region. Everything here is something a farming household could do indoors, beside a fire, with what was already in the house.

At Naruko the woodworkers who served the hot springs turned slim dolls on a pole lathe for the children of visitors, and each district settled on its own shape of head and its own stripes, so that you can still tell a Naruko doll from a Tsugaru one across a room. In Tsugaru the domain forbade peasants cotton, and hemp does not hold heat, so women stitched white cotton thread across indigo hemp in counted patterns until the back of a work jacket became geometry. At Morioka the Nambu lords had iron sand, charcoal and river clay in one valley, and the kettle followed.

And the red cow. Smallpox took children here as it did everywhere, and red was the colour the pox god was said to dislike, so a red papier-mâché ox with a nodding head was set beside a sick child. The shape came from a legend: an ox the colour of red earth that hauled timber for a temple at Yanaizu in 807 and, when the building was finished, turned to stone rather than leave.

In the collection from here · 6 pieces
Akabeko
赤べこ

Akabeko

Aizu, Fukushima · A charm since the 1600s

The black spots are smallpox. The toy was meant to take them instead of the child.

The full account
Namahage mask
なまはげ面

Namahage mask

Oga, Akita · Recorded since 1811

Not a demon. A god who comes down the mountain once a year to check on you.

The full account
Carved bear
木彫り熊

Carved bear

Yakumo, Hokkaidō · Since 1924

Hokkaidō's most famous carving was copied from a Swiss souvenir.

The full account
Kokeshi
こけし

Kokeshi

Naruko, Miyagi · From the late Edo period

Turn the head and it squeaks. That squeak is how you know where it was made.

The full account
Nambu ironware
南部鉄器

Nambu ironware

Morioka, Iwate · A domain trade since 1659

Cast iron, not bronze — and the water it boils is not the same water.

The full account
Kogin-zashi
こぎん刺し

Kogin-zashi

Tsugaru, Aomori · Edo period, out of necessity

Peasants were forbidden cotton. So they stitched cotton into hemp until it was warm.

The full account

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The workshop towns here
会津AizuAkabeko男鹿OgaNamahage masks八雲YakumoCarved bears鳴子NarukoKokeshi盛岡MoriokaCast ironware津軽TsugaruKogin counted stitching

Each one has its own account on the makers page.

What else this region is known for
Craft
Kokeshi, Aizu papier-mâché, Nambu ironware, Tsugaru kogin stitching
Table
Rice and sake — Niigata and Akita rice, Aizu miso, Ōma tuna
Go for
Hirosaki castle in blossom, Aizu-Wakamatsu, the Oga peninsula at New Year
Odd thing
Hirosaki prunes its cherry trees the way apple growers prune apples, because the growers were apple growers — which is why they flower so thickly